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A hollow throw up using the letters SPLEEN. Note the consistency in letter form and height. Throw ups, [a] or throwies, are a form of graffiti that fall between tags and pieces in complexity. [1] The name comes from the way they are designed to be "thrown" onto a surface as quickly as possible. They are almost always done with aerosol paint. [2]
throw-up A throw-up or "throwie" sits between a tag and a bomb in terms of complexity and time investment. It generally consists of a one-color outline and one layer of fill-color. Easy-to-paint bubble shapes often form the letters. A throw-up is designed for quick execution, to avoid attracting attention to the writer.
Tags in Amsterdam. Tags are one of the primary forms of modern graffiti, along with throw ups and pieces.The act of writing a tag is known as tagging.Tags are often thought of as the simplest form of graffiti art, prioritising legibility and flow [1] and are the form that most artists start with. [2]
"Top-to-bottoms" evolved to take up entire subway cars. A notable development was the "throw-up", which is more complex than simple "tagging" but not as intricate as a "piece". Not long after their introduction, throw-ups led to races to see who could do the largest number in the shortest time.
Throw ups, or throwies are large, bubble-writing graffiti which aim to be "throw onto" a surface as largely and quickly as possible. [59] Throw ups can have fills or be "hollow". [60] They prioritise minimal negative space [61] and consistency or letter space and height. [8]
“Okay, this was mostly in, like, high school, but when I would clean my room and I had dishes in there, I would just throw them away," Sam said, causing her mother to audibly gasp at the admission.
An example of a signature character by KEOB. The character is seen four different contexts: a tag (in the O), throw up, character painting, and sticker. Characters, or karaks, [1] are an integral part of modern graffiti culture. [1] Characters are "creatures or personas” that feature in graffiti works. [2]
Almost 2 million men and women who served in Iraq or Afghanistan are flooding homeward, profoundly affected by war. Their experiences have been vivid. Dazzling in the ups, terrifying and depressing in the downs. The burning devotion of the small-unit brotherhood, the adrenaline rush of danger, the nagging fear and loneliness, the pride of service.