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The flamenco tango is distinct from the flamenco rumba primarily through the guitar playing. In Rumba the guitar flows more freely, whereas in Tangos the accents on beats 2, 3, and 4 are marked clearly with heavy strumming. Tangos is only vaguely related to Argentine tango, and objectively they only share compás binario or
Flamenco guitarists are known as tocaores (from an Andalusian pronunciation of tocadores, "players") and the flamenco guitar technique is known as toque. Flamenco players tend to play the guitar between the sound hole and the bridge, but as close as possible to the bridge, to produce a harsher, rasping sound quality.
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form.
Early bandoneón, constructed ca. 1905. Even though present forms of tango developed in Argentina and Uruguay from the mid-19th century, there are records of 19th and early 20th-century tango styles in Cuba and Spain, [3] while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. [4]
The golden age of flamenco is said to be 1869 to 1910, later becoming more and more popularized internationally and influenced by South American music, especially the tango. Musicians from the golden age performed at bars called café cantantes, such as Café de Chinitas in Málaga, which was made famous by the poetry of García Lorca.
Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.
1992 The Bienal de Arte Flamenco "Ciudad de Sevilla" assigned him with composition, orchestration and musical conduction of the show "Tango". In the same year he participated in the recording "Sevilla Es Así" for the opening program of the world's fair EXPO 1992 in Sevilla.
His performances helped popularize flamenco guitar music worldwide. [7] Montoya is credited with having transformed flamenco guitar music into a separate music style, beyond being a traditional dance accompaniment. [2] He adapted flamenco to other genres of music to create his own recognizable style, becoming an international star. [2]
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