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The Dutch title of the painting is the bird's nickname, puttertje, which refers to this custom and is a diminutive equivalent to "draw-water", an old Norfolk name for the bird. [8] [10] The goldfinch frequently appears in paintings, not just for its colourful appearance but also for its symbolic meanings.
The Madonna del cardellino or Madonna of the Goldfinch is an oil on wood painting by the Italian Renaissance artist Raphael, from c. 1505–1506. A 10-year restoration process was completed in 2008, after which the painting was returned to its home at the Uffizi in Florence. [1] During the restoration, an antique copy replaced the painting in ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The Goldfinch (1654), by Carel Fabritius; The Goldfinch (2013) by Donna Tartt, in which Fabritius' painting features The Goldfinch (2019), based on the novel; Distelfink, a goldfinch motif in Pennsylvania Dutch folk art
An extended title for this portrait is the Portrait of Giovanni de’ Medici as a Child holding a Goldfinch. It was painted sometime between 1544 and 1545, based on the child's age. Giovanni was born in the September 1543 and this portrait depicts him at the age of eighteen months. [1] He is wearing a pink doublet, which is painted with high ...
He used cool colour harmonies to create shape in a luminous style of painting. Fabritius was also interested in complex spatial effects, as can be seen in the exaggerated perspective of A View of Delft, with a Musical Instrument Seller's Stall (1652). He also showed excellent control of a heavily loaded brush, as in The Goldfinch (1654).
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This painting is considered one of the most famous Madonna portraits of Italian Renaissance painter, Raphael. Many art historians believe that this painting is the peak of Raphael's achievements and one of his strongest pieces from his Florentine phase. [3] Raphael began to paint La Belle Jardinière after finishing Madonna of the Goldfinch.
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