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The glockenspiel (/ ˈ ɡ l ɒ k ə n ʃ p iː l / GLO-kən-shpeel; German pronunciation: [ˈɡlɔkənˌʃpiːl] or [ˈɡlɔkn̩ˌʃpiːl], Glocken: bells and Spiel: play) or bells is a percussion instrument consisting of pitched aluminum or steel bars arranged in a keyboard layout.
Instruments commonly part of the percussion section of a band or orchestra. These three groups overlap heavily, but inclusion in any one is sufficient for an instrument to be included in this list. However, when only a specific subtype of the instrument qualifies as a percussion instrument, only that subtype is listed here.
The percussion section is one of the main divisions of the orchestra and the concert band. It includes most percussion instruments and all unpitched instruments. The percussion section is itself divided into three subsections: Pitched percussion, consisting of pitched instruments such as glockenspiel and tubular bells.
This underlies the division of the orchestral percussion section into auxiliary percussion, tuned percussion and timpani, and is the reason percussive keyboard instruments such as the celesta are excluded from the percussion section. Origins, cultural significance or tradition, for example grouping instruments as Latin percussion or as African ...
Another keyboard instrument used in the orchestra, as well as jazz, is the vibraphone. The most commonly requested excerpt for vibraphone at orchestral auditions is from Leonard Bernstein's "West Side Story." The "Little Blue Devil" movement from "Seven Studies on Themes of Paul Klee" by Gunther Schuller is also frequently requested.
A fairground organ is a musical organ covering the wind and percussive sections of an orchestra. Originated in Paris, France, it was designed for use in commercial fairground settings to provide loud music to accompany rides and attractions, mostly merry-go-rounds. Unlike organs for indoor use, they are designed to produce a large volume of ...
Maurice Ravel preferred the keyboard version of the instrument because it can play a true ff dynamic for brilliance and iridescence in orchestral climaxes. [3] In the late 20th century, the firm of Bergerault began manufacturing a three-octave (F 2 –E 4 ) mallet instrument with a damping mechanism operated by a foot pedal, which is capable of ...
He experimented with the instrument's acoustics and tuning, and developed the first "scientifically tuned" glockenspiel. On the Sensations of Tone by German physician and physicist Hermann von Helmholtz was a strong influence on Deagan's advances. [6] The company remained in the control of Deagan's descendants for two generations beyond.
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