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The film may also be projected directly on a digital projector in the theaters. The data film files may be converted to SDTV (NTSC or PAL) video TV systems. [1] [2] Film recorders are the opposite of film scanners, copying content from a computer system onto film stock, for preservation or for display using film projectors.
Although this was still analog, some professional Hi8 equipment could store additional digital stereo PCM sound on a special reserved track. Digital8 is the most recent 8mm video format. It retains the same physical cassette shell as its predecessors, and can even record onto Video8 (not recommended) or Hi8 cassettes.
To facilitate digital recording on existing Hi8 video cassettes the helical scan video head drum spins 2.5× faster. For both NTSC and PAL Digital8 equipment, a standard-length 120-minute NTSC/90-minute PAL Hi8 magnetic tape cassette will store 60 minutes of Digital8 video (Standard Play) or 90 minutes (Long Play). There are 90-minute versions ...
DV (from Digital Video) is a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, HDV, DVCAM, DVCPro, DVCPro50, DVCProHD, Digital8, and Digital-S. DV has been used primarily for video ...
Black-and-white 8 mm film is still manufactured in the Czech Republic, and several companies buy bulk quantities of 16 mm film to make regular 8 mm by re-perforating the stock, cutting it into 25 foot (7.6 m) lengths, and collecting it into special standard 8 mm spools, which they then sell. Re-perforation requires special equipment.
The DSR-570 and DSR-390 are based on the DVCAM format developed by Sony. The DSR-570 utilizes three 2/3 inch CCDs which are natively in the 16:9 format. The large CCDs achieve a 570,000 pixel density and over 800 TV lines in 16:9 mode (It can also achieve 850 TV lines if set to 4:3 mode). [1]
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