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Today staff covered the 1952 Republican National Convention in Chicago from July 7–11, 1952. News anchor Jim Fleming traveled to Chicago, and Dave Garroway and Jack Lescoulie remained in New York. To bring the event to the nation, 55 microphones were placed around the convention hall, along with eight cameras and miles of coaxial cables.
27.7 mm x 14.6 mm 31.4 mm RedMag/Red Mini-Mag 148 x 97 x 57 2195 g; Epic M-X 5K Monochrome 2011 Mysterium-X 5K Monochrome 5120 x 2700 5K .r3d N/A 27.7 mm x 14.6 mm 31.4 mm RedMag/Red Mini-Mag 148 x 97 x 57 2195 g; Epic Dragon 6K 2012 Dragon 6K 6144 x 3160 6K .r3d N/A 30.7 mm x 15.8 mm 34.5 mm RedMag/Red Mini-Mag 148 x 97 x 57 2195 g;
In 2021, Red announced the Red V-Raptor camera, the current flagship model in Red's lineup of cameras, and the first camera that officially belongs to the DSMC3 family of cameras. Like the Komodo, the Red V-Raptor also has an active Canon RF lens mount, but unlike the Komodo, the V-Raptor is capable of multi-format recording. [31]
Programmed electronic shutter release, 1.6 s – 1/400 s Manual, range of 2 2× CR2 lithium 118.6 x 130.7 x 57.5 390 g (without batteries, strap, and film) Lacks double exposures, landscape mode, lighten and darken modes, and self-timer found on SQ6. Lens is 32 mm equivalent angle of view (AOV) in 35 mm full frame format.
The release button is placed at the right-hand camera front, but there is no mirror-up facility; this was included on the upgraded versions. The standard lens is the RE. Auto-Topcor 1:1.4 f=5.8cm or the slightly slower 1:1.8 version. A battery-operated winder could be attached to the camera base.
The early cameras required a very large amount of lighting, which caused television studios to become very warm due to the use of multi-kilowatt lamps (a problem that still exists somewhat today, but is less pronounced). The RCA TK-40 and TK-41 color cameras required more than an hour to set up and were comparatively unstable, making frequent ...
The camera weighed 8 pounds (3.6 kg), recorded black-and-white images to a cassette tape, had a resolution of 0.01 megapixels (10,000 pixels), and took 23 seconds to capture its first image in December 1975. The prototype camera was a technical exercise, not intended for production. [20]
Fusion Camera System (a.k.a. Reality Camera System 1) is a digital movie camera system developed by James Cameron and Vince Pace. It was developed as a way to shoot features in stereoscopic 3-D. [1] The Fusion Camera System made first use of Sony HDC-F950 and later of Sony HDC-1500 HD cameras
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