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In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss. ) is a glide from one pitch to another ( Play ⓘ ). It is an Italianized musical term derived from the French glisser , "to glide".
The violins play glissando, pizzicato, tremolo, and in double stops, and use particular effects such as col legno (striking the wood of the bow on the strings) and sul ponticello (bowing close to the bridge), in order to imitate the sounds of a cat, a dog, a hen, the lyre, clarino trumpet, military drum, Spanish guitar, etc. (Boyden 2001; Pyron ...
Glissando: gliding, glossing: A sweeping glide from one pitch to another used for dramatic effect Legato: tied: A series of notes played with a smooth connection between them Col legno: with the wood: Calls for a bowed instrument's strings to be struck with the wood of the bow (rather than drawn across with the hair of the bow). Martellato ...
Arpeggio, arpeggiando, arpeggiato - A bouncing stroke, played on broken chords, so that each note of the arpeggio is played on a different string. Tremolo - Chiefly used for orchestral playing, this consists of moving the bow back and forth in very short strokes extremely rapidly, not in precisely measured rhythm (usually at upper half of the bow).
A note or notes that precede the first full bar; a pickup andamento A fugue subject of above-average length andante At a walking pace (i.e. at a moderate tempo) andantino Slightly faster than andante (but earlier it is sometimes used to mean slightly slower than andante) ängstlich (Ger.) Anxiously anima Soul; con anima: with feeling animandosi
An arpeggio (Italian: [arˈpeddʒo]) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive rising or descending order. Arpeggios on keyboard instruments may be called rolled chords .
A more modern expert of the saxophone glissando is Phil Woods who can play a fluid glissando across the entire range of the horn. [11] [citation needed] Multiphonics is the technique of playing more than one note at once. A special fingering combination causes the instrument to vibrate at two different pitches alternately, creating a warbling ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.