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Archetypes are the unknowable basic forms personified or concretized in recurring images, symbols, or patterns which may include motifs such as the quest or the heavenly ascent, recognizable character types such as the trickster or the hero, symbols such as the apple or snake, or images such as crucifixion (as in King Kong, or Bride of ...
Subjective representations can vary person-to-person. The relationship between these two types of representation can vary. Objective varies, but the subjective does not: e.g. brain-in-a-vat; Subjective varies, but the objective does not: e.g. color-inverted world; All representations found in objective and none in the subjective: e.g. thermometer
In the philosophy of mind, neuroscience, and cognitive science, a mental image is an experience that, on most occasions, significantly resembles the experience of "perceiving" some object, event, or scene but occurs when the relevant object, event, or scene is not actually present to the senses.
Accordingly, the images appear as though detached from the subject, as though existing in themselves without relation to the person. Consequently, in the above-mentioned example, the introverted intuitive, when affected by the giddiness, would not imagine that the perceived image might also in some way refer to himself.
The subjective character of experience is a term in psychology and the philosophy of mind denoting that all subjective phenomena are associated with a single point of view ("ego"). The term was coined and illuminated by Thomas Nagel in his famous paper "What Is It Like to Be a Bat?" [1]
It is an example of how perception can be shaped by "top-down" processes such as drives and expectations. [106] Perceptual sets occur in all the different senses. [62] They can be long term, such as a special sensitivity to hearing one's own name in a crowded room, or short-term, as in the ease with which hungry people notice the smell of food ...
Emotion perception refers to the capacities and abilities of recognizing and identifying emotions in others, in addition to biological and physiological processes involved. . Emotions are typically viewed as having three components: subjective experience, physical changes, and cognitive appraisal; emotion perception is the ability to make accurate decisions about another's subjective ...
The philosophy of perception is concerned with the nature of perceptual experience and the status of perceptual data, in particular how they relate to beliefs about, or knowledge of, the world. [1] Any explicit account of perception requires a commitment to one of a variety of ontological or metaphysical views.