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A trilingual sign written: "Welcome to the 'White Motorway '" in the Rhône-Alpes region. Autoroute A40 is named Autoroute des Titans ("Highway of the Titans") for the dramatic engineering construction through the mountainous sections between Bourg-en-Bresse and Bellegarde-sur-Valserine, and as Autoroute Blanche ("the White Motorway") through the snow-laden Jura and Alps between Bellegarde-sur ...
Jupiter vainqueur des Titans (Jupiter, Vanquisher of the Titans) is an opera by the French composers François Colin de Blamont and Bernard de Bury, first performed at Versailles on 11 December 1745. It takes the form of a tragédie en musique in a prologue and five acts.
The National Archives of Belgium [1] (French: Archives générales du Royaume, Dutch: Algemeen Rijksarchief, German: Generalstaatsarchiv; all lit. ' General Archives of the Kingdom ') is the main depository of the State Archives of Belgium (Archives de l'État; Rijksarchief) and is located on rue de Ruysbroeck / Ruysbroeckstraat, next to the Mont des Arts, in central Brussels.
The State Archives (French: Archives de l'État or AE, Dutch: Rijksarchief) is the institution which preserves the national archives of Belgium. It is a research institute of the Belgian Federal Science Policy Office (Belspo) under the Belgian Federal Government .
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My Son, the Hero (Italian title: Arrivano i titani - The Coming of the Titans; alternative UK title: Sons of Thunder) is a 1962 mythological sword-and-sandal comedy film directed by Duccio Tessari and starring Giuliano Gemma, Jacqueline Sassard, Pedro Armendáriz, Antonella Lualdi and Serge Nubret.
Que du vent is a studio album released in 2011 by Québécois néo-trad band Les Cowboys Fringants. It reached number 1 in Quebec music charts during the week of November 14–20, 2011, [ 1 ] and peaked at number 60 on the charts in France for the week of November 21–27, 2011.
Wind from the East (French: Le Vent d'est) is a 1970 film by the Dziga Vertov Group, a radical filmmaking cooperative that, at its core, included Jean-Luc Godard and Jean-Pierre Gorin. As with most films from this period in Godard's career, directing credit was given to the collective and not himself or other individual filmmakers.