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Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. [5] It uses textural layers of sound that can reward both passive and active listening [6] and encourage a sense of calm or contemplation.
Ambience, by the Lambrettas; Virgin Ambient series, a series of 24 albums released on the UK Virgin Records label between 1993 and 1997; Ambient 1–4, a set of four albums by Brian Eno, released by Obscure Records between 1978 and 1982; Stingray Ambiance, the channel "Ambiance" on the Singray music service
In filmmaking, ambience (also known as atmosphere, atmos, or background) consists of the sounds of a given location or space. [1] It is the opposite of "silence". Ambience is similar to presence , but is distinguished by the existence of explicit background noise in ambience recordings, as opposed to the perceived "silence" of presence recordings.
Researchers Smoyer and Miking define hygge as a "restorative practice" and emphasize Danes' strong commitment to it. [9] Meik Wiking, the author of The Little Book of Hygge, created the Hygge Manifesto, which quantifies hygge into ten ideals: atmosphere, presence, pleasure, equality, gratitude, comfort, togetherness, harmony, truce, and shelter ...
Gemütlichkeit (German pronunciation: [ɡəˈmyːtlɪçkaɪt] ⓘ) is a German-language word used to convey the idea of a state or feeling of warmth, friendliness, [1] and good cheer. Other qualities encompassed by the term include cosiness, peace of mind , and a sense of belonging and well-being springing from social acceptance.
These background noises are also called ambience or atmos ("atmosphere"). [2] Foley sound effects are sounds that synchronize on screen, and require the expertise of a Foley artist to record properly. Footsteps, the movement of hand props (e.g., a tea cup and saucer), and the rustling of cloth are common Foley units. [2]
Atmosphere is an immediate form of physical perception, and is recognised through emotional sensibility. Architects and designers use the notion of atmosphere to argue that architecture and space is designed and built for people to use and experience.
In works of art, the adjective macabre (US: / m ə ˈ k ɑː b / or UK: / m ə ˈ k ɑː b r ə /; French:) means "having the quality of having a grim or ghastly atmosphere". The macabre works to emphasize the details and symbols of death. The term also refers to works particularly gruesome in nature.