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Monochrome printmaking is a generic term for any printmaking technique that produces only shades of a single color. While the term may include ordinary printing with only two colors — "ink" and "no ink" — it usually implies the ability to produce several intermediate colors between those two extremes.
A monochrome printer can only produce monochrome images, with only shades of a single color. Most printers can produce only two colors, black (ink) and white (no ink). With half-tonning techniques, however, such a printer can produce acceptable grey-scale images too A color printer can produce images of multiple colors.
A monochrome [1] or monochromatic image, object or palette is composed of one color (or values of one color). [2] Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog).
Printer tracking dots, also known as printer steganography, DocuColor tracking dots, yellow dots, secret dots, or a machine identification code (MIC), is a digital watermark which many color laser printers and photocopiers produce on every printed page that identifies the specific device that was used to print the document.
Text was nearly always monochrome, and many books continued to be published with monochrome illustrations sumizuri-e, but the growth of the popularity of ukiyo-e brought with it demand for ever increasing numbers of colors and complexity of techniques. By the nineteenth century most artists designed prints that would be published in color.
For some inkjet printers, monochrome ink sets are available either from the printer manufacturer or from third-party suppliers. These allow the inkjet printer to compete with the silver-based photographic papers traditionally used in black-and-white photography, and provide the same range of tones: neutral, "warm" or "cold".
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