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In 1953 he was invited by W. E. Williams, who had been a colleague at ABCA, to edit a multi-authored seven-volume Pelican Guide to English Literature (1954–61; revised, 1982–8). This was indebted in many senses to Leavis, who, when he closed Scrutiny in 1953, remarked bitterly that Ford had "approached my main people", and considered that ...
A dilemma (from Ancient Greek δίλημμα (dílēmma) 'double proposition') is a problem offering two possibilities, neither of which is unambiguously acceptable or preferable. The possibilities are termed the horns of the dilemma, a clichéd usage, but distinguishing the dilemma from other kinds of predicament as a matter of usage.
A dilemma story (also dilemma tale) is an African story-form intended to provoke discussion. They are used as a form of both entertainment and instruction. [ 1 ] Unlike many other story forms, which culminate in a firm conclusion, dilemma stories are open ended, and meant to spark conversation and debate.
English literature is literature written in the English language from the English-speaking world. The English language has developed over more than 1,400 years. [ 1 ] The earliest forms of English, a set of Anglo-Frisian dialects brought to Great Britain by Anglo-Saxon settlers in the fifth century, are called Old English .
It also made Wright the wealthiest Black writer of his time and established him as a spokesperson for African-American issues, and the "father of Black American literature." As Irving Howe said in his 1963 essay "Black Boys and Native Sons," "The day Native Son appeared, American culture was changed forever. No matter how much qualifying the ...
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works.
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Synge's most famous play, The Playboy of the Western World, "caused outrage and riots when it was first performed" in Dublin in 1907. [10] George Bernard Shaw turned the Edwardian theatre into an arena for debate about important political and social issues, like marriage, class, "the morality of armaments and war" and the rights of women. [11]