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Mary Wigman (born Karoline Sophie Marie Wiegmann; 13 November 1886 – 18 September 1973) was a German dancer and choreographer, notable as the pioneer of expressionist dance, dance therapy, and movement training without pointe shoes.
Its main exponents include Mary Wigman, Kurt Jooss and Rudolf Laban. The term reappears in critical reviews in the 1980s to identify the work of primarily German choreographers who were students of Jooss (such as Pina Bausch and Reinhild Hoffmann) and Wigman (Susanne Linke), along with the Austrian Johann Kresnik.
Mary Wigman and Hanya Holm shared a special bond through movement. Egyptian Dance was said to be the first time Wigman realized the artistic impression Holm was capable of. She had the creative will and ability to shape a choreographic vision into reality. [3]
Whitehouse (1911 – 1979) was a student of famed Martha Graham and Mary Wigman, who became a professional dancer and subsequent teacher.Informed by her interest in and experience with Jungian psychology, particularly active imagination, projection, and polarities, Whitehouse integrated her study of dance and Jung into a new embodied inquiry, "an approach, an orientation" toward allowing "the ...
In 1935–36, with the dance group led by Mary Wigman, Hoyer toured Germany, the Netherlands, Denmark and Sweden. [3] She and other dancers were photographed by artist Edmund Kesting. In 1937 Hoyer was portrayed by the Dresden expressionist painter Hans Grundig on a desolate country road at twilight, utterly alone in the gathering darkness. [6]
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