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Under medieval Christianity, the Latin "creatio " came to designate God's act of "creatio ex nihilo " ("creation from nothing"); thus "creatio " ceased to apply to human activities. The Middle Ages, however, went even further than antiquity, when they revoked poetry's exceptional status: it, too, was an art and therefore craft and not creativity.
Architecture is the art and science of designing buildings and structures. A wider definition would include the design of the built environment, from the macro level of urban planning, urban design, and landscape architecture, to the micro level of creating furniture. [16]
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. [128]
However, even fine art often has goals beyond pure creativity and self-expression. The purpose of works of art may be to communicate ideas, such as in politically, spiritually, or philosophically motivated art; to create a sense of beauty (see aesthetics); to explore the nature of perception; for pleasure; or to generate strong emotions. The ...
Venus de Milo, at the Louvre. Art history is, briefly, the history of art—or the study of a specific type of objects created in the past. [1]Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes ...
Types of art techniques There is no exact definition of what constitutes art. Artists have explored many styles and have used many different techniques to create art ...
However, the very nature of art itself appeals to "Earth", as a function of art is to highlight the natural materials used to create it, such as the colors of the paint, the density of the language, or the texture of the stone, as well as the fact that everywhere an implicit background is necessary for every significant explicit representation.
The original art was not changed or reproduced, only bonded to ceramic and sold. The court held that this act was not original and creative enough to rise to the level of creating a derivative work, but effectively similar to any other form of display or art frame. [21] Distribution rights differ from reproduction rights.