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The Three Suns doctrine places itself in a sect tradition ("Sanyangism", 三阳教 Sānyángjiào, "teaching of the Three Suns") flourishing at least since the Ming dynasty. [9] It can be traced back to a Taoist school named Hunyuan , from the concept of hunyuan ("original chaos") that existed before hundun ("still chaos") and is the beginning ...
[1] [2] Chinese symbols often have auspicious meanings associated to them, such as good fortune, happiness, and also represent what would be considered as human virtues, such as filial piety, loyalty, and wisdom, [1] and can even convey the desires or wishes of the Chinese people to experience the good things in life. [2]
Initially, the 10 suns would cross the sky one by one, but one day the 10 suns decided to come out all at once so that they could play with each other, and scorched the earth. Hou Yi was tasked by the mythical Emperor Yao—in some versions, the Jade Emperor—to rein in the suns. Hou Yi first tried to reason with the suns.
The national emblem of the Republic of China is officially described in the National Emblem and National Flag of the Republic of China Act: [1] The national emblem of the Republic of China is a blue sky with a white sun in the following form: A blue circle. A white sun in the middle, with 12 white rays with pointed angles.
The ten Heavenly Stems (or Celestial Stems) are a system of ordinals indigenous to China and used throughout East Asia, first attested c. 1250 BCE during the Shang dynasty as the names of the ten days of the week. They were also used in Shang-era rituals in the names of dead family members, who were offered sacrifices on the corresponding day ...
The chart also represents the main parts of the body, including the Cinnabar Fields , the Three Passes (sanguan, represented by the three chariots) of the back, the throat, the paradisiacal and infernal worlds, and the body's divinities according to the Huangting jing, and also shows the firing process (huohou). The whole is reminiscent of a ...
There are numerous Chinese names for the fire-producing "sun-mirror" and water-producing "moon-mirror". These two bronze implements are literary metaphors for yin and yang, associating the "yang-mirror" yangsui with the Sun (a.k.a. tàiyáng 太陽 "great yang"), fire, dry, and round, and the "yin-mirror" fangshu with the Moon (tàiyīn 太陰 "great yin"), water, wet, and square.
The Earthly Branches (also called the Terrestrial Branches or the 12-cycle [1]) are a system of twelve ordered symbols used throughout East Asia.They are indigenous to China, and are themselves Chinese characters, corresponding to words with no concrete meaning other than the associated branch's ordinal position in the list.