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One theory states that the historic Caesar adapted the words of a Greek sentence which to the Romans had long since become proverbial: the complete phrase is said to have been "You too, my son, will have a taste of power", of which Caesar only needed to invoke the opening words to foreshadow Brutus's own violent death, in response to his ...
The Tribute Money, by Titian (1516), depicts Jesus being shown the tribute penny. "Render unto Caesar" is the beginning of a phrase attributed to Jesus in the synoptic gospels, which reads in full, "Render unto Caesar the things that are Caesar's, and unto God the things that are God's" (Ἀπόδοτε οὖν τὰ Καίσαρος Καίσαρι καὶ τὰ τοῦ Θεοῦ τῷ Θεῷ).
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Gaius Julius Caesar [a] (12 July 100 BC – 15 March 44 BC) was a Roman general and statesman. A member of the First Triumvirate, Caesar led the Roman armies in the Gallic Wars before defeating his political rival Pompey in a civil war, and subsequently became dictator from 49 BC until his assassination in 44 BC.
One hypothesis states that the historic Caesar adapted the words of a Greek sentence which to the Romans had long since become proverbial: the complete phrase is said to have been "You too, my son, will have a taste of power", [21] of which Caesar only needed to invoke the opening words to foreshadow Brutus' own violent death, in response to ...
Common ending to ancient Roman comedies: Suetonius claimed in The Twelve Caesars that these were the last words of Augustus; Sibelius applied them to the third movement of his String Quartet No. 2, so that his audience would recognize that it was the last one, because a fourth would be ordinarily expected.
No one was safe near him, and no one was safe without him near. To pinch a phrase from Terrence Malick’s The Thin Red Line : the closer to Caesar, the greater the fear. We live in interesting times.
Common ending to ancient Roman comedies: Suetonius claimed in The Twelve Caesars that these were the last words of Augustus; Sibelius applied them to the third movement of his String Quartet No. 2, so that his audience would recognize that it was the last one, because a fourth would be ordinarily expected. acta non verba: Deeds not Words