Search results
Results from the WOW.Com Content Network
Album UK; 1974 "I Want to See the Bright Lights Tonight" — I Want to See the Bright Lights Tonight: 1975 "Hokey Pokey" — Hokey Pokey: 1978 "Don't Let a Thief Steal Into Your Heart" — First Light: 1979 "Georgie on a Spree" / "Civilisation" (double-A side) — Sunnyvista: 1982 "Don't Renege On Our Love" — Shoot Out the Lights
The first Richard and Linda Thompson album, I Want to See the Bright Lights Tonight, was recorded in May 1973 in short time and on a small budget. Largely because of the petrol shortage in Britain and its impact on the availability of vinyl for records, Bright Lights was held back by Island Records for nearly a year before being released in ...
After the marked lack of success achieved by his first album, Henry the Human Fly, British singer-songwriter/guitarist Richard Thompson started a personal and professional relationship with Linda Peters, a session singer. I Want to See the Bright Lights Tonight was the first album by the duo of Richard and Linda Thompson.
Sunnyvista is the fifth album by Richard and Linda Thompson, released in 1979, by Chrysalis Records. [1]After the artistic mismatch of the previous year's comeback album, First Light, the Thompsons made greater use on this album of backing musicians with whom they had previously worked.
Richard L. Thomas (June 30, 1809 – June 17, 1888) was an American politician from Maryland. He served as a member of the Maryland House of Delegates , representing Cecil County in 1849 and in 1854.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
Small Town Romance is the first live album by British singer/songwriter Richard Thompson. Before and after the "Tour From Hell" to promote the Richard and Linda Thompson album Shoot Out the Lights, Richard played solo shows in the US in 1982. Three of these shows were recorded for radio broadcasts.
[88] [86] It was Chicago's first album with a title rather than a number; and was the band's first LP to have a picture of the band (shot by photographer Norman Seeff) [90] featured prominently on the cover (with the ubiquitous logo downsized). [88] [86] These two moves were seen by many as indications that the band had changed following Kath's ...