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Sleeveless overgowns such as the cioppa were popular, and the gamurra sleeves displayed were often of rich figured silks. The cotta was a lighter-weight undergown for summer wear. A sideless overgown called the giornea was worn with the gamurra or cotta. Toward the end of the period, sleeves were made in sections or panels and slashed, allowing ...
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
Sleeveless overgowns or tabards derive from the cyclas, an unfitted rectangle of cloth with an opening for the head that was worn in the 13th century. By the early 14th century, the sides began to be sewn together, creating a sleeveless overgown or surcoat. [28] Outdoors, women wore cloaks or mantles, often lined in fur.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Through the Tudor period, fashionable doublets remained close-fitting with baggy sleeves, and elaborate surface decoration such as pinks (patterns of small cuts in the fabric), slashes, embroidery, and applied braid. A man's doublet was worn above a shirt, and it was sometimes sleeveless or had tight or detachable sleeves.
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