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For sound reinforcement in live shows, mic bleed can make it hard for the sound engineer to control the levels of the different instruments and vocals onstage. For example, if an electric guitarist's loud amplifier is bleeding into the drum and vocal mics, it may be hard for the sound engineer to reduce the volume of the guitar in the onstage mix.
In the physical sense of the term, the word "pitch" refers to the frequency of a sound. Another term that is frequently used by music neuroscientists is "fine-grained pitch processing" which refers to the ability of a person to distinguish minor changes or fluctuations in pitch. Processing pitch is an extremely integral part of music cognition.
Listener fatigue (also known as listening fatigue or ear fatigue) is a phenomenon that occurs after prolonged exposure to an auditory stimulus.Symptoms include tiredness, discomfort, pain, and loss of sensitivity.
Vizio makes some of the top-rated soundbars in the biz, budget and fancy alike. ... but the HDMI option also helps you hear soundbar audio from any other sources connected to the TV, like a game ...
Loud music [1] is music that is played at a high volume, often to the point where it disturbs others and causes hearing damage. It may include music that is sung live, played with musical instruments , or with electronic media, such as Radio broadcasting , CD , MP3 players or even on phones and streaming services etc.
Most devices capable of compressing audio dynamics can also be used to reduce the volume of one audio source when another audio source reaches a certain level; this is called side-chaining. [13] In electronic dance music , side-chaining is often used on basslines , controlled by the kick drum or a similar percussive trigger, to prevent the two ...
Are Christopher Nolan movies too loud? It’s a question that’s asked every time the director releases a movie, and “Oppenheimer” is no exception. Nolan’s sound mix is once again a point ...
The book Perfecting Sound Forever: An Aural History of Recorded Music, by Greg Milner, presents the loudness war in radio and music production as a central theme. [13] The book Mastering Audio: The Art and the Science, by Bob Katz, includes chapters about the origins of the loudness war and another suggesting methods of combating the war.
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