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The String Quartet No. 2 by Charles Ives is a work for string quartet written between 1907 and 1913. [1] It was premiered at McMillin Theatre, Columbia University in New York City on 11 May 1946, by a Juilliard School student ensemble. [ 2 ]
The String Quartet No. 2 in A minor, Op. 35, is a piece of chamber music in three movements by Anton Arensky. Composed in 1894, it is unusually scored for violin, viola and two cellos. Arensky dedicated it to the memory of Pyotr Ilyich Tchaikovsky who had died the previous year.
Of the Op. 18 string quartets, this one is the most grounded in 18th-century musical tradition. [1] According to Michael Steinberg, "In German-speaking countries, the graceful curve of the first violin's opening phrase has earned the work the nickname of Komplimentier-Quartett, which might be translated as 'quartet of bows and curtseys'." [2]
The String Quartet No. 2 in A minor, Op. 13, was composed by Felix Mendelssohn in 1827. [1] Written when he was 18 years old, it was, despite its official number, Mendelssohn's first mature string quartet. One of Mendelssohn's most passionate works, the A minor Quartet is one of the earliest and most significant examples of cyclic form in music.
Apponyi Quartets, Op. 74, No. 2 III:74 String Quartet No. 59 Rider: G minor 1793 Apponyi Quartets, Op. 74, No. 3 III:75 String Quartet No. 60 Jack-in-the-box: G major 1796–97 Erdödy Quartets, Op. 76, No. 1 III:76 String Quartet No. 61 Fifths: D minor 1796–97 Erdödy Quartets, Op. 76, No. 2 III:77 String Quartet No. 62 Emperor: C major 1796 ...
The String Quartet No. 2 in B ♭ major, B. 17, was probably composed by Antonín Dvořák in 1869, early in his compositional career. It was one of three (together with Nos. 3 , and 4 ) which Dvořák later believed he had destroyed after he had disposed of the scores.
The normal way of playing three or four note chords is to sound the lower notes briefly and allow them to ring while the bow plays the upper notes (a broken chord). This gives the illusion of a true triple or quadruple stop. In forte, however, it is possible to play three notes at once, especially when bowed toward the fingerboard. With this ...
In the modern era, the string quartet played a key role in the development of Schoenberg (who added a soprano in his String Quartet No. 2), Bartók, and Shostakovich especially. After the Second World War, some composers, such as Messiaen questioned the relevance of the string quartet and avoided writing them.
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