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A painting by Konstantin Flavitsky of Pharaoh's daughter finding Moses, who is in a basket.. The ark of bulrushes (Hebrew: תבת גמא, romanized: têḇaṯ gōme) was a container which, according to the episode known as the finding of Moses in the biblical Book of Exodus, carried the infant Moses.
The Exposition of Moses, as his mother casts him off. The princess's party is further down the bank. Nicolas Poussin. The less common preceding scene of Moses being left in the reeds is formally called""' The Exposition of Moses'"". [6] In some depictions, this is shown in the distance as a subsidiary scene, and some books show both scenes.
The Exodus 2:5) does not give a name to Pharaoh's daughter or to her father; she is referred to in Hebrew as Baṯ-Parʿo (Hebrew: בת־פרעה), "daughter of Pharaoh." [1] The Book of Jubilees 47:5 and Josephus both call her Thermouthis (Greek: Θερμουθις), also transliterated as Tharmuth and Thermutis, the Greek name of Renenutet, a fertility deity depicted as an Egyptian cobra.
Some evidence has been found of Neo-Assyrian legends depicting infants being cast adrift in kuphars on the river, similar to how baby Moses was cast adrift in a basket in the Book of Exodus. [15] This has led some scholars to conclude that the basket that Moses was set adrift in on the Nile may have in fact been a kuphar. [10] [12] [15]
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When Moses, her youngest child, was born, Jochebed hid him for three months until she could hide him no longer. To save her son's life, she waterproofed a basket and put the child in it. Jochebed placed Moses in a basket and released him in the flow of River Nile. The basket fell in the hands of the Pharaoh's daughter who was bathing in the river.
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During this time, Jackson started to create her own designs. Using sweetgrass, palmetto, pine needles, and bulrush in her work, Jackson's finely crafted and innovative baskets started to attract attention. She was invited to exhibit her baskets at the Smithsonian Craft Show in 1984. That event became a turning point in Jackson's career. [1] [7]