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Geoffrey Chaucer (/ ˈ tʃ ɔː s ər / CHAW-sər; c. 1343 – 25 October 1400) was an English poet, author, and civil servant best known for The Canterbury Tales. [1] He has been called the "father of English literature", or, alternatively, the "father of English poetry". [2]
The Parliament of Birds, an 18th-century oil painting by Karl Wilhelm de Hamilton. The Parlement of Foules (modernized: Parliament of Fowls), also called the Parlement of Briddes (Parliament of Birds) or the Assemble of Foules (Assembly of Fowls), is a poem by Geoffrey Chaucer (c. 1340s–1400) made up of approximately 700 lines.
English had, however, been used as a literary language centuries before Chaucer's time, and several of Chaucer's contemporaries—John Gower, William Langland, the Pearl Poet, and Julian of Norwich—also wrote major literary works in English. It is unclear to what extent Chaucer was seminal in this evolution of literary preference.
The House of Fame (Hous of Fame in the original spelling) is a Middle English poem by Geoffrey Chaucer, probably written between 1374 and 1385, making it one of his earlier works. [1] It was most likely written after The Book of the Duchess, but its chronological relation to Chaucer's other early poems is uncertain. [2]
Chaucer first used the rhyme royal stanza in his long poems Troilus and Criseyde and the Parlement of Foules, written in the later fourteenth century.He also used it for four of the Canterbury Tales: the Man of Law's Tale, the Prioress' Tale, the Clerk's Tale, and the Second Nun's Tale, and in a number of shorter lyrics.
The Book of the Duchess, also known as The Deth of Blaunche, [1] is the earliest of Chaucer's major poems, preceded only by his short poem, "An ABC", and possibly by his translation of The Romaunt of the Rose. Based on the themes and title of the poem, most sources put the date of composition after 12 September 1368 (when Blanche of Lancaster ...
The Legend of Good Women is a poem in the form of a dream vision by Geoffrey Chaucer during the fourteenth century.. The poem is the third longest of Chaucer's works, after The Canterbury Tales and Troilus and Criseyde, and is possibly the first significant work in English to use the iambic pentameter or decasyllabic couplets which he later used throughout The Canterbury Tales.
The poem had an important legacy for later writers. Robert Henryson's Scots poem The Testament of Cresseid imagined a rambunctious fate for Criseyde not given by Chaucer. In historical editions of the English Troilus and Criseyde, Henryson's distinct and separate work was sometimes included without accreditation as an "epilogue" to Chaucer's tale.