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Grayscale images are distinct from one-bit bi-tonal black-and-white images, which, in the context of computer imaging, are images with only two colors: black and white (also called bilevel or binary images). Grayscale images have many shades of gray in between.
Later processes moved toward a black-and-white image, although photographers have used toning solutions to convert silver in the image to silver sulphide, imparting a brown or sepia tone. Similarly, selenium toner produces a blue-black or purple image by converting silver into more stable silver selenide. [2]
ColorCode 3-D, [21] [22] a anaglyph stereoscopic color scheme, uses the RG color space to simulate a broad spectrum of color in one eye, while the blue portion of the spectrum transmits a black-and-white (black-and-blue) image to the other eye to give depth perception.
The names black-and-white, B&W, monochrome or monochromatic are often used, but can also designate other image types with only one sample per pixel, such as grayscale images. In Photoshop parlance, a binary image is the same as an image in "Bitmap" color mode. [3] [4]
The 256 available colors would be used to generate a dithered approximation of the original image. Without dithering, the colors in the original image would be quantized to the closest available color, resulting in a displayed image that is a poor representation of the original. The very earliest uses were to reduce images to 1-bit black and white.
I420 is a simpler design and is more commonly used. The entire image in Y is written out, followed by the image in U, then by the whole image in V. I420 layout; YV12 follows the same general design as I420, only the order between the U and V images is flipped. [18] NV12 is possibly the most commonly-used 8-bit 4:2:0 format.
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