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"Girl I've Been Hurt" is a song by Canadian reggae musician Snow, released in April 1993 by EastWest America as the second single from his debut album, 12 Inches of Snow (1993). The song was written by Edmond Leary, Darrin O'Brien (real name of Snow) and Shawn Moltke, and produced by M.C. Shan.
John Swail (9 December 1944 – 3 May 2013), better known under his stage name Guy Darrell, was a British singer and musician active in the 1960s and 1970s.His biggest hit, "I've Been Hurt" reached number 12 on the UK Singles Chart in 1973.
"I've Been Hurt" appeared in the Hit Bulletin section of Cash Box (October 30, 1965 issue). [1] In January, 1967 the version by The Tams had been released on ABC 10741. It was produced by Joe South. Billboard marked it as a Top 60 prediction in the January 28 issue. [2] It became their biggest regional hit. [3]
While listed as only the co-writer of the song "Runway" on the 12 Inches of Snow album, Prince claimed to have co-written five songs and co-produced the album with Shan, Eng, and Salem. Furthermore, Prince alleged that Eng and Salem provided "a draft of a multi-album production and recording agreement" for both Snow and himself.
Rodrigo held a sign that read “Guts Deluxe out Friday,” while her crew held up the song titles, including “Obsessed,” “Girl I’ve Always Been,” “Scared of My Guitar,” “Stranger ...
The song is well known for the line "a licky boom boom down" [1] and for Snow's fast toasting and often unintelligible lyrics. Produced by MC Shan , who also contributed a rap verse, "Informer" was a chart-topping hit, spending seven consecutive weeks at number one on the Billboard Hot 100 .
From cold and flu to stress to post-workout muscle soreness, there are a bevy of things that can cause your body aches. Here's how to spot each one—and what you can do to make the pain go away.
Their 1965 recording "I've Been Hurt" was their biggest regional hit (based on sales and airplay) prior to 1980. The group reached the Number one slot in the UK Singles Chart in September 1971, with the re-issue of "Hey Girl Don't Bother Me", thanks to its initial support from the then thriving UK Northern soul scene.