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This is a list of compositions by Armenian composer Aram Khachaturian. Ballets. Shchastye ("Happiness"; Yerevan, ...
Aram Ilyich Khachaturian (/ ˈ ær ə m ˌ k ɑː tʃ ə ˈ t ʊər i ə n /; [1] Russian: Арам Ильич Хачатурян, IPA: [ɐˈram ɨˈlʲjitɕ xətɕɪtʊˈrʲan] ⓘ; Armenian: Արամ Խաչատրյան, Aram Xačatryan; [A] 6 June [O.S. 24 May] 1903 – 1 May 1978) was a Soviet Armenian composer and conductor. [5]
This movement is much less sinister and more life filled than the other movements. Khachaturian called that life "rest after hard labor." [2] The Andante sostenuto is the most tragic movement of the whole symphony, the most requiem-like part of the piece. Its funeral march atmosphere comes from an Armenian folk melody. Here, the climax is ...
The cover of a 1953 record of "Sabre Dance" by the Indianapolis Symphony Orchestra [1] "Sabre Dance" [a] is a movement in the final act of Aram Khachaturian's ballet Gayane (1942), where the dancers display their skill with sabres. [2]
When flautist Jean-Pierre Rampal approached Khachaturian to ask him to compose a concerto for flute and orchestra, Khachaturian suggested that the Violin Concerto would be adaptable for flute. With the composer's encouragement, Rampal completed the transcription in 1968, providing his own cadenza as a substitute for the original violin cadenza ...
Billboard wrote that the Masquerade Suite was composed by "Khachaturian, the Russian, brooding, colorful, nationalistically melodic" and not "[Khachaturian], the Armenian, swirling, rattling and temperamentally heady" and that only "Galop" "rings out what presumably is the popular Khachaturian. [13]
The ballet, based on an earlier ballet composed in 1939 by Khachaturian called Happiness, [1]: 127 was created when the Kirov ballet was in Perm. Khachaturian started composing the score in autumn 1941 [3] and the ballet was first mounted on 3 December 1942 on the small stage of the Perm state theatre. Despite these limitations, the effect was ...
The Symphony No. 3 by Aram Khachaturian, subtitled Symphony–Poem, was composed in 1947 for the 30th anniversary of the Russian Revolution. Its first public performance was in Leningrad on December 13 by the Leningrad Philharmonic conducted by Yevgeny Mravinsky. [1] It was Khachaturian's last contribution to the genre.
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