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Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
As the access to materials increased, competition to design the most beautiful patterns rose, with an estimate of over 300 different kogin-zashi patterns being created. In the 20th century, the craft of kogin-zashi was streamlined, establishing the three general types that are seen today: nishi-kogin , higashi-kogin , and mishima-kogin . [ 2 ]
The American quilt: A history of cloth and comfort, 1750-1950 (1993). LaPinta, Linda Elisabeth. Kentucky Quilts and Quiltmakers: Three Centuries of Creativity, Community, and Commerce (University Press of Kentucky, 2023) online review of this book. Torsney, Cheryl B., and Judy Elsley, eds. Quilt Culture: Tracing the Pattern. (U of Missouri ...
Meisen cloth, probably 1950s Meisen (銘 （ めい ） 仙 （ せん ）, lit. ' common silk stuff ') is a type of silk fabric traditionally produced in Japan ; it is durable, hard-faced, and somewhat stiff, with a slight sheen, : 79 and slubbiness is deliberately emphasised. Meisen was first produced in the late 19th century, and became widely popular during the 1920s and 30s (late- Taishō ...
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A crazy quilt rarely has the internal layer of batting that is part of what defines quilting as a textile technique. Rebecca Palmer. Crazy Quilt, 1884. Silk, velvet. Brooklyn Museum Tamar Horton Harris North. “Quilt (or decorative throw), Crazy pattern”. ~1877. 54 1 ⁄ 2 × 55 in. Metropolitan Museum of Art.
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Traditional Korean patchwork pojagi wrapping cloth. Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes (which can be different colors).
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