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DJ Ötzi's 2003 "Burger Dance" is a similar German version with the same fast food companies but sampling some sections of "The Battle Hymn of the Republic". [citation needed] DieAussenseiter 's "Aram Sam Sam" includes additional lyrics in German and the English refrain "Jump, jump, motherfucker". [9]
Suite (Toccata, Waltz-Capriccio, Dance) (1932; the Toccata is now best known as a piece separate from the suite) Dance No. 3 (1933) March No. 3 (1934) Budenovka, a mass dance (undated) Choreographic Waltz (1944) Three Pieces for two pianos (Ostinato, Romance, Fantastic Waltz) (1945) Album for Children No. 1, 10 pieces (1947) Waltz from ...
Masquerade (Russian: Маскарад) was written by Aram Khachaturian in 1941 as incidental music for a production of Mikhail Lermontov's play of the same name. [4] He turned it into a suite with five movements for an orchestra in 1944. [4]
The cover of a 1953 record of "Sabre Dance" by the Indianapolis Symphony Orchestra [1] "Sabre Dance" [a] is a movement in the final act of Aram Khachaturian's ballet Gayane (1942), where the dancers display their skill with sabres. [2] It is Khachaturian's best known and most recognizable work worldwide.
The dance in Gayane did not follow the Petipa tradition, for example Swan Lake, wherein the audience is treated to national dance in discrete divertissements of "dances of le salon", in Petipa's words; in contrast, the dance in Gayane, by force of character, is felt throughout the ballet; it is a natural part of the people and of their history.
Spartacus (Russian: «Спартак», Spartak) is a ballet by Aram Khachaturian (1903–1978). The work follows the exploits of Spartacus, the leader of the slave uprising against the Romans known as the Third Servile War, although the ballet's storyline takes considerable liberties with the historical record.
As the dance progresses, the movements are also performed with arms, head, and the upper body. The pace becomes faster, and the seat positions may change. The key element is that every dancer must move at the same time, creating a homogeneous, continuous, line of movement that is often described as the defining feature of Saman dance.
The Toccata in B-flat major is a piece for solo piano written in 1932 by Aram Khachaturian. It is a favorite of piano students, and has been recorded many times. Khachaturian wrote this work as the first movement of a three-movement suite for piano: Toccata; Waltz-Capriccio; Dance. [citation needed]