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The Nine Consciousness is a concept in Buddhism, specifically in Nichiren Buddhism, [1] that theorizes there are nine levels that comprise a person's experience of life. [ 2 ] [ 3 ] It fundamentally draws on how people's physical bodies react to the external world, then considers the inner workings of the mind which result in a person's actions.
Relief depicting the bodhisattva Avalokiteśvara, Plaosan temple, Java, 9th-century. The many different varieties of Buddhist art often show buddhas and bodhisattvas, as well as depictions of the historical Buddha, known as Gautama Buddha (or Siddhārtha Gautama, Śākyamuni, or Tathāgata).
The Buddha's ten principal disciples, who seem to be historical figures, in some cases very important figures in the early development of Buddhism, are given personalities in the literature, and various anecdotes concerning them are depicted in art, with or without the Buddha being present.
Buddhist art is visual art produced in the context of Buddhism.It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
The art of Gandhara was influenced by Ancient Greek art, leading to the development of Greco-Buddhist art with anatomically well-proportioned and realistic figure of the Buddha. One of the most influential Buddhist art was Gupta art and the later Amaravati style. From India the depiction of Buddha spread to the rest of Asia.
Mandala of Buddhas is the mandala consisting of nine major Buddhas of the past and the present Gautama Buddha occupying the ten directions. Mandala of Eight Devis includes the eight Devis occupying and protecting the eight corners of the Universe. In Sigālovāda Sutta, Buddha describes the relationships of a common lay persons in Mandala style.
Early lists of nine stages of decay can be found in the "Sutra on the Samādhi Contemplation of the Oceanlike Buddha," and the "Discourse on the Great Wisdom" (Mahaprajnaparamitita-sastra) [1]: 24 Different purposes have been assigned to the contemplation of the nine stages of a decaying corpse, and the details of the practice transformed over ...
The scans revealed the original rough sketch of the painting, which differed very little from the final product, indicating it was a commissioned piece and not mass-produced. In addition, it is revealed that the gold paint on the Amida is not uniform, but rather a combination of gilding, and kirikane patterning. [11] [13]
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