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Drawing Hands is a lithograph by the Dutch artist M. C. Escher first printed in January 1948. It depicts a sheet of paper, out of which two hands rise, in the paradoxical act of drawing one another into existence. This is one of the most obvious examples of Escher's common use of paradox.
Escher's artistic expression was created from images in his mind, rather than directly from observations and travels to other countries. His interest in the multiple levels of reality in art is seen in works such as Drawing Hands (1948), where two hands are shown, each drawing the other. [g] The critic Steven Poole commented that
Reptiles depicts a desk upon which is a two dimensional drawing of a tessellated pattern of reptiles and hexagons, Escher's 1939 Regular Division of the Plane. [2] [3] [1] The reptiles at one edge of the drawing emerge into three dimensional reality, come to life and appear to crawl over a series of symbolic objects (a book on nature, a geometer's triangle, a three dimensional dodecahedron, a ...
The background is dark, but in the bottle can be seen the reflection of Escher's studio and Escher himself sketching the scene. Self-portraits in reflective spherical surfaces can be found in Escher's early ink drawings and in his prints as late as the 1950s. The metal bird/human sculpture is real and was given to Escher by his father-in-law.
Escher's interest in reversible perspectives, as seen in Cube with Magic Ribbons, can also be noted in an earlier work, Convex and Concave, first printed in 1955. [ 2 ] Although the cube framework in Cube with Magic Ribbons by itself is perfectly possible, the interlocking of the "magical" bands within it is impossible.
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Puddle is a woodcut print by the Dutch artist M. C. Escher, first printed in February 1952. Since 1936, Escher's work had become primarily focused on paradoxes, tessellation and other abstract visual concepts. This print, however, is a realistic depiction of a simple image that portrays two perspectives at once.
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