Search results
Results from the WOW.Com Content Network
Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed modernists because they listened to modern jazz. [2]
The discography and filmography of Neil Young contains both albums and films produced by Young. Through his career most of Young's work has been recorded for and distributed by Reprise Records, a company owned by Warner Bros. Records since 1963 and now part of the Warner Music Group.
The mod subculture was centred on fashion and music, and many mods wore parkas and rode scooters. Mods wore suits and other cleancut outfits, and listened to music genres such as modern jazz, soul, Motown, ska and British blues-rooted bands like the Yardbirds, the Small Faces, and later the Who and the Jam.
Neil Young gave fans the ultimate Christmas present.. On Wednesday, Dec. 25, the singer-songwriter, 79, shared rare video footage on Instagram of him performing "Silver & Gold," the title track ...
Young himself was born in Toronto, Ontario, and lived there at various times in his early life (1945, 1957, 1959–1960, 1966–1967), as well as Omemee (1945–1952) and Pickering, Ontario (1956) before settling with his mother in Winnipeg, Manitoba (1958, 1960–1966), where his music career began and which he considers his "hometown". [207]
At 77, Young just rolls onward with his music of deep feeling, and neither rust nor the accumulated years have done much to slow him down. More from Spin: Neil Young Finally Releasing Shelved 1977 ...
The 1960s were wild. In a good way, of course. ... starting from cinema and music and ending with fashion and hair. The aforementioned even became a symbol of social change as women chose shorter ...
The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree).. The Mod Revival started with disillusionment with the punk scene when commercialism set in. [citation needed] It was featured in an article in Sounds music paper in 1976 and had a big following in Reading/London during that time.