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Following is a list of Italian painters (in alphabetical order) who are notable for their art. ... (19th century) Luca Giordano (1634–1705) Giorgione (c. 1477–1510)
Pages in category "19th-century Italian painters" The following 200 pages are in this category, out of approximately 1,367 total. This list may not reflect recent changes .
Liberty Leading the People, embodying the Romantic view of the French Revolution of 1830, also known as the July Revolution; its painter Eugène Delacroix also served as an elected deputy The Dream of Worldwide Democratic and Social Republics – The Pact Between Nations, a print prepared by Frédéric Sorrieu, 1848 Brudeferd i Hardanger (Bridal procession in Hardanger), a monumental piece ...
Tampere Cathedral, an example of National Romantic architecture in Finland.. The National Romantic style was a Nordic architectural style that was part of the National Romantic movement during the late 19th and early 20th centuries.
From the second half of the 18th century through the 19th century, Italy went through a great deal of socio-economic changes, several foreign invasions and the turbulent Risorgimento, which resulted in the Italian unification in 1861. Thus, Italian art went through a series of minor and major changes in style.
Many of the artists of the Macchiaioli died in penury, achieving fame only towards the end of the 19th century. Today the work of the Macchiaioli is much better known in Italy than elsewhere; much of the work is held, outside the public record, in private collections there. [9]
This effort is still underway, but became more systematic as other cultural movements took the center stage in Norway in the late 19th and early 20th century. Romantic nationalism has had an enormous impact on the Norwegian national identity. The Askeladden character from the fairy tales is considered being an integral part of the Norwegian way.
They met up with Austrian romantic landscape artist Joseph Anton Koch (1768–1839) who became an unofficial tutor to the group. In 1827, they were joined by Joseph von Führich (1800–1876). The principal motivation of the Nazarenes was a reaction against Neoclassicism and the routine art education of the academy system.