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The major sources for the lives of women in classical Athens are literary, political and legal, [3] and artistic. [4] As women play a prominent role in much Athenian literature, it initially seems as though there is a great deal of evidence for the lives and experiences of Athenian women. [5] However, the surviving literary evidence is written ...
A woman displaying traits of the heroic Grecian male was not portrayed in a positive light. Euripides' Medea is the prime example. Her name in Greek means "cunning" and is also the word for the Persians (the Greek’s greatest foreign enemy). [11] Most of the time, a woman is full of fear Too weak to defend herself or to bear the sight of steel
Antigone. (Sophocles play) Antigone (/ ænˈtɪɡəni / ann-TIG-ə-nee; Ancient Greek: Ἀντιγόνη) is an Athenian tragedy written by Sophocles in (or before) 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second oldest surviving play of Sophocles, preceded by Ajax, which was written ...
Electra, also spelt Elektra (/ əˈlɛktrə /; [1] Ancient Greek: Ἠλέκτρα, romanized: Ēléktrā, lit. ' amber '; [ɛː.lék.traː]), is one of the most popular mythological characters in tragedies. [2] She is the main character in two Greek tragedies, Electra by Sophocles and Electra by Euripides. She is also the central figure in ...
The Bacchae (/ ˈbækiː /; Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈbækənts, bəˈkænts, - ˈkɑːnts /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
The Trojan Women (Ancient Greek: Τρῳάδες, romanized: Trōiades, lit."The Female Tojans") is a tragedy by the Greek playwright Euripides, produced in 415 BCE.Also translated as The Women of Troy, or as its transliterated Greek title Troades, The Trojan Women presents commentary on the costs of war through the lens of women and children. [1]
Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, the god of wine and theatre, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics.
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).