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In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a 32-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Alternatively in some parlance "B-section" might refer to a bridge (see "bridge" below) occurring anywhere in a song once or twice. back-beat. Beats 2 and 4 in 4/4 time, particularly when they are strongly accented. A term more used in rock 'n roll. backmasking. Recording a sound and then flipping it so that when it is replayed, it sounds ...
Backwash squeeze is a rare squeeze which involves squeezing an opponent which lies behind declarer's menace. A variation of this, known as the "Sydney Squeeze" or "Seres Squeeze", was discovered in play at a rubber bridge game in Sydney, Australia, in 1965, by the Australian great Tim Seres; it was later attested by famous bridge theorist Géza Ottlik in an article in The Bridge World in 1974 ...
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The composer of a sonata form movement may disguise the start of the recapitulation as an extension of the development section. Conversely, the composer may write a "false recapitulation", which gives the listener the idea that the recapitulation has begun, but proves on further listening to be an extension of the development section.
Montgomery-Ward bridge in C Play ⓘ Montgomery-Ward bridge with ii–Vs in C Play ⓘ In jazz music, the Montgomery-Ward bridge (also Riepel's Monte) is a standard chord progression often used as the bridge, or 'B section', of a jazz standard. The progression consists, in its most basic form, of the chords I 7 –IV 7 –ii 7 –V 7.
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".