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The Woman's Building focused on feminist art and served as a venue for the women's movement and was spearheaded by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven. [1] The center was open from 1973 until 1991. [2] During its existence, the Los Angeles Times called the Woman's Building a ...
The examination of the need for there to be a separate field of feminist aesthetics is discussed. If there is a separate field, women's art gets defined as feminist, then it assumes that the “normal” and all other art is automatically categorized as masculine. [11] The idea of the creative genius is inspected in feminist aesthetics. In ...
The Union Center for the Arts (former Japanese Union Church) on Judge John Aiso Street. San Pedro Street is a major north–south thoroughfare in Los Angeles, California, running Little Tokyo near Downtown Los Angeles to join Main Street, and East and West 46th Streets in a five-way intersection in East Gardena.
After receiving her PhD in 1972, Korsmeyer began to focus her research on feminist philosophy and the field of aesthetics. Feminist perspectives in aesthetics has long been major work of Korsmeyer. [2] Fine art, genius, beauty, taste, and aesthetic perception are gendered issues that she has studied and researched. [3]
The Feminist Art Program (FAP) was created by Judy Chicago and Miriam Schapiro at the California Institute of the Arts in Valencia, California, in 1971. Building on the "radical educational techniques" that she had first tried out in her classes for women in 1970–1971, when she worked at Fresno State, Chicago and Schapiro made the program ...
Art and the Feminist Revolution was an exhibition of international women's art presented at the Museum of Contemporary Art, Los Angeles from March 4–July 16, 2007. [1] It later traveled to the National Museum of Women in the Arts (September 21--December 16, 2007) and the PS1 Contemporary Art Center , where it was on view February 17–May 12 ...
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Womanhouse (January 30 – February 28, 1972) was a feminist art installation and performance space organized by Judy Chicago and Miriam Schapiro, co-founders of the California Institute of the Arts Feminist Art Program, and was the first public exhibition of art centered upon female empowerment.