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A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels".
Literal and figurative language is a distinction that exists in all natural languages; it is studied within certain areas of language analysis, in particular stylistics, rhetoric, and semantics. Literal language is the usage of words exactly according to their direct, straightforward, or conventionally accepted meanings : their denotation .
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Analysts group metaphors with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. [3] “ Figurative language examples include “similes, metaphors, personification, hyperbole, allusions, and idioms.”” [ 4 ] One of the most commonly cited examples of a metaphor in English literature comes from the " All ...
In rhetoric, zeugma (/ ˈ zj uː ɡ m ə / ⓘ; from the Ancient Greek ζεῦγμα, zeûgma, lit. "a yoking together" [1]) and syllepsis (/ s ɪ ˈ l ɛ p s ɪ s /; from the Ancient Greek σύλληψις, sullēpsis, lit. "a taking together" [2]) are figures of speech in which a single phrase or word joins different parts of a sentence.
A figurative device which involves the substitution of one grammatical form for another. It is commonly used in metaphor; e.g. "to palm someone off" or "to have a good laugh". [2] Compare hypallage. end rhyme end-stopped line A line in poetry that ends in a pause, indicated by a specific punctuation, such as a period or a semicolon. [13 ...
For example, Dickens' novel Great Expectations is noted for having only a single page of exposition before the rising action begins, while The Lord of the Rings by J. R. R. Tolkien has an unusually lengthy falling action. The plot can also be structured by the use of devices such as flashbacks, framing, and epistolary elements.
Some uses of figurative language may be understood as both metonymy and metaphor; for example, the relationship between "a crown" and a "king" could be interpreted metaphorically (i.e., the king, like his gold crown, could be seemingly stiff yet ultimately malleable, over-ornate, and consistently immobile).