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James Gillray (13 August 1756 [1] [2] – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.
The Spanish Bullfight is an 1808 satirical cartoon by the British caricaturist James Gillray which presents the ongoing Napoleonic Wars as a bullfight. [1] It was inspired by the Dos de Mayo Uprising in Madrid and other uprisings across Spain against French occupation which triggered the Peninsular War. Spain, previously an enemy of Britain ...
Supplementary-Militia, turning-out for Twenty Days Amusement: 1796 caricature by James Gillray. In order to have as many men as possible under arms for home defence to release regulars, the Government created the Supplementary Militia in 1796, a compulsory levy of men to be trained in their spare time, and to be incorporated in the Militia in ...
In High-Change in Bond Street (1796), James Gillray caricatured the lack of courtesy on Bond Street (young men taking up the whole footpath), which was a grand fashionable milieu at the time. There is evidence of Roman settlement around what is now Bond Street. In 1894, a culvert made from brick and stone was discovered in the area. [7]
James Gillray's caricature of 1805. Paul Barras being entertained by the naked dancing of two wives of prominent men, Thérésa Tallien and Joséphine Bonaparte 1797 Full and half dress for April 1809
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