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A fictitious color or imaginary color is a point in a color space that corresponds to combinations of cone cell responses in one eye that cannot be produced by the eye in normal circumstances seeing any possible light spectrum. [4] No physical object can have an imaginary color.
Photopic relative brightness sensitivity of the human visual system as a function of wavelength (luminosity function) The visible light spectrum ranges from about 380 to 740 nanometers. Spectral colors (colors that are produced by a narrow band of wavelengths) such as red, orange, yellow, green, cyan, blue, and violet can be found in this range ...
A chemical color is incomprehensible because we don't know its cause. Its appearance is only known from experience and it is not an essential part of the object. Chemical colors result from changes in an object's surface. A slight change in the surface may result in a different color. Color, therefore, is not an essential property of an object.
A comparison between a typical normalized M cone's spectral sensitivity and the CIE 1931 luminosity function for a standard observer in photopic vision. In the CIE 1931 model, Y is the luminance, Z is quasi-equal to blue (of CIE RGB), and X is a mix of the three CIE RGB curves chosen to be nonnegative (see § Definition of the CIE XYZ color space).
Light spectrum, from Theory of Colours – Goethe observed that colour arises at the edges, and the spectrum occurs where these coloured edges overlap.. Theory of Colours (German: Zur Farbenlehre) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how they are perceived by humans.
Eigengrau (German for "intrinsic gray"; pronounced [ˈʔaɪ̯gŋ̍ˌgʁaʊ̯] ⓘ), also called Eigenlicht (Dutch and German for "intrinsic light"), dark light, or brain gray, is the uniform dark gray background color that many people report seeing in the absence of light.
The opponent process is a color theory that states that the human visual system interprets information about color by processing signals from photoreceptor cells in an antagonistic manner. The opponent-process theory suggests that there are three opponent channels , each comprising an opposing color pair: red versus green , blue versus yellow ...
Chromatic adaptation is the human visual system’s ability to adjust to changes in illumination in order to preserve the appearance of object colors. It is responsible for the stable appearance of object colors despite the wide variation of light which might be reflected from an object and observed by our eyes.