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The Afghan concept of music is closely associated with instruments, and thus unaccompanied religious singing is not considered music. Koran recitation is an important kind of unaccompanied religious performance, as is the ecstatic Zikr ritual of the Sufis which uses songs called na't, and the Shi'a solo and group singing styles like mursia, manqasat, nowheh and rowzeh.
Afghan musicians, Herat 1973 The classical music of Afghanistan is called klasik, which includes both instrumental (rāgas, naghmehs) and vocal forms (). [1] Many ustad, or professional musicians, are descended from Indian artists who emigrated to the royal court in Kabul in the 1860s upon the invitation of Amir Sher Ali Khan.
Ghulam Dastagir Shaida (استاد غلام دستگیر شیدا) (1916–1970) was an Afghan singer and musician. Shaida was born in the Kharabat neighborhood of Kabul, home of Kabul musicians who sung in classical Indian tradition. Shaida is considered as one of the great Ustads of Afghan classical music along with Sarahang and Rahim Bakhsh.
Mohammad Hussain Sarāhang (Farsi: محمدحسین سرآهنگ - Sarāhang; 1924–1983) was an Afghan ghazal singer and an exponent of Indian classical music from Kabul, Afghanistan. He is popularly known with the honorific Ustad Sarahang and has been renowned as the "crown of Afghanistan’s music".
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Mahwash then took music and singing lessons under the tutelage of Ustad Mohammad Hashem Cheshti. An established maestro, Chishti quickly launched his protégé on a rigorous training regime. Most of his lessons, which are based on North Indian classical music, are still used today to train Afghan singers.
He was counted as a leading authority of classical music in Afghanistan. Like virtually all classical vocalists of Afghanistan, he belonged to the Patiala Gharana (gharana meaning a school or style of music) of Hindustani classical music. Bakhsh died in 2002. His last wish was to have his grave beside his teacher Ustad Qasim. Bakhsh's grave is ...
Zakhil composed over 700 songs for many Afghan singers. Da Zamoong Zeeba Watan, Pa Loyo Ghro Banday Ra Taw Shwal Toofanona, and Sanga Meena Zma Sta Wa are a few of his classic compositions. [1] The lyrics and music of "Wro Wro Kaigda Qadamoona Ashna", which were used in a Hollywood movie, The Passion of Christ, were