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Thomas Richman Blackshear II (born November 14, 1955) [1] is an African-American artist whose paintings adorn many Evangelical churches. He is also a sculptor and a designer of stamps and ornaments , often with African American or Western themes.
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
It includes American printmakers that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "African-American printmakers" The following 80 pages are in this category, out of 80 total.
This is a non-diffusing subcategory of Category:21st-century American women artists. It includes 21st-century American women artists that can also be found in the parent category, or in diffusing subcategories of the parent.
African American artists have the lowest share with just 1.2% of the works; Asian artists with 9%; and Hispanic and Latino artists only 2.8%’. [ 14 ] Despite challenges, his work remains vital, and there is a growing movement in the design community to recognise and celebrate these diverse perspectives.
[1] [2] E.M. Washington is an African American artist and reported his great-grandfather as such, which led to increased interest in the work. It was estimated by September 2004 that as many as 60,000 prints had been sold, at prices ranging from $20 to $350. [1] (Washington himself has since admitted to “creating over 1700 wood engravings”.)
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Samuel Joseph Brown Jr. (1907–1994) was a watercolorist, printmaker, and educator. He was the first African American artist hired to produce work for the Public Works of Art Project, a precursor to the Work Progress Administration's Federal Art Project.
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