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Mary Duffy's Big Beauties was the first model agency to work with hundreds of new plus-size clothing lines and advertisers. For two decades, this plus-size category produced the largest per annum percentage increases in ready-to-wear retailing. Max Mara started Marina Rinaldi, one of the first high-end clothing lines, for plus-size women in ...
The breadth of belts worn with such garments need not be limited by the size of belt loops: some wide belts called waist cinchers overlap with corsets in appearance and function. Belts that do hold up clothing work by friction and often take advantage of the narrow circumference (and the compressibility) of the torso above the hips.
In the 1920s the goal was all about getting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a sash or belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above.
The height and thickness of the rod determine the size of the loop. A pile wire can be a simple rod – in which case the pile yarns will form a 'loop' pile. If the pile wire is equipped with a blade holder and cutting blade at the tip it will cut the pile loops during extraction thus producing cut pile. pill Pill plaid
The British English term, short trousers, is used, only for shorts that are a short version of ordinary trousers (i.e., pants or slacks in American English). For example: tailored shorts, often lined, as typically worn as part of a school uniform for boys up to their early teens, [1] [2] [3] and by servicemen and policemen in tropical climates.
The upper part of women's dresses in the Edwardian era included a "pigeon breast" look that gave way to a corseted waist and an s-shaped silhouette. [54] Women called their dresses "waists" if one-piece, or "shirtwaists," if it consisted of a skirt and a blouse. [55] The bodice of the dresses had a boned lining. [55]
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