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The song's lyrics refer to sexual frustration and commercialism. The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones' fourth studio album, Out of Our Heads, released that July. "Satisfaction" was a hit, giving the Stones their first number one in the US.
The Stones have said that the song is a reaction to their suddenly greatly enhanced popularity and deals with their aversion to people's expectations of them after the success of "Satisfaction". Richards commented: "'Get Off of My Cloud' was basically a response to people knocking on our door asking us for the follow-up to 'Satisfaction' ...
In a 1973 interview with Nick Kent, Taylor stated that he wrote the song's riff. The song features Richards playing slide guitar and acoustic guitar, Taylor on lead guitar and a resonator guitar, Jagger on vocals, Bill Wyman on bass, Charlie Watts on drums, Nicky Hopkins on piano, and Bobby Keys and Jim Price on saxophone and trumpet respectively.
Northern Lights – Southern Cross is the sixth studio album by Canadian-American rock band the Band, released in November 1975. It was the first album to be recorded at their new California studio, Shangri-La , and the first album of all new material since 1971's Cahoots .
[citation needed] Along with "Brown Sugar", it is one of the two Rolling Stones compositions from Sticky Fingers (1971) over which ABKCO Records co-owns the rights along with the Stones. It features session player Jim Dickinson on piano, Richards on electric guitar and 12-string acoustic guitar, and Mick Taylor on acoustic guitar.
"You Can't Always Get What You Want" is a song by the English rock band the Rolling Stones from their 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards, it was named as the 100th greatest song of all time by Rolling Stone magazine in its 2004 list of the "500 Greatest Songs of All Time" before dropping a place the following year.
The Stones have performed "The Spider and the Fly" live very rarely: they did so during two eras of their career, in 1965-1966 and once during the 1995 leg of their Voodoo Lounge Tour. A March 1995 studio reworking of the song was included on the Stones' album Stripped. For this version the age of the woman in the song was updated from thirty ...
The song title and lyrics reference the Crux constellation, known as the Southern Cross. Billboard called the song a "midtempo minor-keyed saga very much in the tradition of [Stills'] earlier CSN and solo compositions." [7] The term "minor-keyed" presumably related to the song's bittersweet lyrics, as the song itself is performed in a major key.