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Amanda Palmer Performs the Popular Hits of Radiohead on Her Magical Ukulele is an EP by the American songwriter Amanda Palmer, released on July 20, 2010. [ 3 ] [ 4 ] [ 5 ] It comprises cover versions of songs by the band Radiohead , performed by Palmer on the ukulele .
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Hurt So Bad" is a song written by Teddy Randazzo, Bobby Weinstein, and Bobby Hart. It is a 1965 Top 10 hit ballad originally recorded by Little Anthony & The Imperials . Linda Ronstadt also had a Top 10 hit with her cover version in 1980.
For the concert and tenor ukuleles, both reentrant and linear C 6 tunings are standard; linear tuning in particular is widely used for the tenor ukulele, more so than for the soprano and concert instruments. The baritone ukulele usually uses linear G 6 tuning: D 3 –G 3 –B 3 –E 4, the same as the highest four strings of a standard 6-string ...
"Goin' Out of My Head" is a song written by Teddy Randazzo and Bobby Weinstein, initially recorded by Little Anthony and the Imperials in 1964. Randazzo, a childhood friend of the group, wrote the song especially for them, having also supplied the group with their previous Top 20 Hit " I'm on the Outside (Looking In) ". [ 2 ]
Clifton Avon "Cliff" Edwards (June 14, 1895 – July 17, 1971), nicknamed "Ukulele Ike", was an American musician and actor.He enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes.
Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...
In music, the dominant 7 ♯ 9 chord [1] ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third above the root, with an augmented second, which is the same pitch, albeit given a different note name, as the minor third degree above the root.