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In Buddhism, the wish fulfilling jewel (Skt. maṇi, cintā-maṇi, cintāmaṇi-ratna) is an important mythic symbol indicating a magical jewel that manifests one's wishes, including the curing of disease, purification of water, granting clothing, food, treasure etc. It is a common symbol for the teachings and qualities of the Buddha.
Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana Manjushri, etc. In Tibetan Buddhism, Mañjuśrī is also an yidam.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
mandara (曼陀羅) – a mandala, or diagram that contains Buddhist images and illustrates Buddhist cosmology. [1] mandara-dō (曼荼羅堂) – lit. "hall of mandalas", but the name is presently used only for Taimadera's Main Hall in Nara. [1] manji* (卍）- the Japanese name of the swastika, symbol used for Buddhist temples in Japanese maps.
The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also found in Celtic, Kazakh and Chinese ...
In Shinto and Buddhism in Japan, an ofuda (お札/御札, honorific form of fuda, ' slip [of paper], card, plate ') or gofu (護符) is a talisman made out of various materials such as paper, wood, cloth or metal.
The mandala in Nichiren Buddhism is a moji-mandala (文字曼陀羅), which is a paper hanging scroll or wooden tablet whose inscription consists of Chinese characters and medieval-Sanskrit script representing elements of the Buddha's enlightenment, protective Buddhist deities, and certain Buddhist concepts.
Quicksand, originally published in Japan as Manji (Japanese: 卍), is a novel by the Japanese author Jun'ichirō Tanizaki. It was written in serial format between 1928 and 1930 for the magazine Kaizō. The last of Tanizaki's major novels translated into English, it concerns a four-way bisexual love affair between upper-crust denizens of Osaka.