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The southern aisle is home to a marble altar used for storing relics. Next to it is the altar of St. Sacrament, by sculptor A. Viviani from the year 1718. The altar has rich decorations with columns and statues. Above the tabernacle is the statue of the Madonna with the dead Christ lying in her lap, with statues of Moses and Elijah on the sides.
It was at that time, a carved marble altar replaced the wooden one. The archdiocese hired Michael F. Doyle of the Acheson Doyle Partners architecture firm to supervise the renovations. Stucco was removed from the stone façade, the building's foundations stabilized, and the remaining stained glass windows returned from storage. [22]
Currently, it serves primarily as a storage area and replaced an earlier structure that collapsed at an unknown time. The eastern end of the church is divided by a wall partition into two altars, each covered by a small dome. Both altars feature a rectangular marble slab situated above the altar table. [44]
The new altar is reached by three brown-marble steps. It consists of a white-marble reredos, an altar table, with a multicolored inlaid marble frontal named "Annunciation" designed by Hildreth Meiere, [285] and a statue of the Lady on top. [157] Under the Lady chapel is a crypt for the Kelly family, which had paid for the chapel. [131]
A five-section semicircular apse is attached to the rear. [1] A stone water table sets off the foundation. Small barred windows are located in every bay along the basement. At the corners are slightly projecting stone columns. They are echoed by stone quoins on the tower. A stone cornice also divides the first and second stories on the west ...
Károlyi had to create a new altar table and she had to replace the lower parts of the baldachin too. Today her altar is standing in the sanctuary of the cathedral. The altar table was made of oak, and it resembles to a robust marble table. Neither of the previous altar paintings got replaced to the table, only the tabernacle was restored.
The floor of the choir was also replaced with marble pavement. The most imposing feature of the choir is the marble altar, which is dominated by a towering "Gloire", or "Glory" (1753), a sculptural work designed by the Slodtz brothers and made of gilded wood and decorated with the sculpted heads of cherubs.
Attached to Saint Mary's Catholic Church, [1] on Green Street in the center of the town, it was built for a local enclosed order of Presentation Sisters, by the architect C. J. McCarthy in 1886. The original building consisted of a short and narrow nave, flanked by choir stalls, leading to an altar and three stained glass bay windows.
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