Search results
Results from the WOW.Com Content Network
Alessandro Moreschi c. 1914. Moreschi's Director at the Sistine was Domenico Mustafà, himself once a castrato soprano, who realised that Moreschi was, amongst other things, the only hope for the continuation of the Sistine tradition of performing the famous setting of the Miserere by Gregorio Allegri during Holy Week.
Alessandro Moreschi, the last of the Sistine castrati. By the late 18th century, changes in operatic taste and social attitudes spelled the end for castrati. They lingered on past the end of the ancien régime, which their style of opera parallels, and two of their number, Pacchierotti and Crescentini, performed before Napoleon.
Domenico Mustafà was born in the comune of Sellano, [1] province of Perugia, and had been castrated due to a bite from a pig. [2] He became a famous soprano castrato with the Cappella Sistina in the Vatican. He was particularly admired for his performances of Handelian music. At his prime, Mustafà possessed a voice of superior strength and ...
Giovanni Cesari (25 June 1843 – 10 March 1904) was an Italian singer with a soprano acuto, or high soprano voice.. Together with Alessandro Moreschi, Domenico Salvatori and Domenico Mustafà, Cesari was a famous castrato singer of the late 19th century.
Farinelli (Italian pronunciation: [fariˈnɛlli]; 24 January 1705 – 16 September 1782) [a] was the stage name of Carlo Maria Michelangelo Nicola Broschi (pronounced [ˈkarlo ˈbrɔski]), a celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera. [1]
Giovanni Carestini (13 December 1700 in Filottrano, near Ancona – 1759 in Bologna) was an Italian castrato of the 18th century, who sang in the operas and oratorios of George Frideric Handel. He is also remembered as having sung for Johann Adolf Hasse and Christoph Willibald Gluck.
Born in Siena in about 1735, Tenducci became a castrato and he was trained at the Naples Conservatory. [2] Castration was illegal in both church and civil law, but the Roman Church employed castrati in many churches and in the Vatican until about 1902; and throughout the 17th and 18th centuries the public paid large sums of money to listen to the spectacular voices of castrati in the opera houses.
Atto Melani (30 March 1626, in Pistoia – 4 January 1714, in Paris) was a famous Italian castrato opera singer, also employed as a diplomat and a spy. [ 1 ] Life