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The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.
"Lord Have Mercy on the Working Man" is a song written by Kostas and recorded by American country music singer Travis Tritt. It was released in August 1992 as the first of five singles from his third studio album, T-R-O-U-B-L-E .
"Don't You Ever Get Tired (Of Hurting Me)" is a country song written by Hank Cochran that was a hit single for Ray Price in 1965, reaching No. 11 on the Billboard ...
The song is built around an Am-C-G-Am chord progression. Mike Connell said it "was pretty much just another failed relationship song" that took influence from older bands such as the Byrds and Big Star to more contemporary artists including Echo & the Bunnymen, R.E.M., the Replacements and Teenage Fanclub.
The music and lyrics were written in 1925 by Jimmy Campbell and Reg Connelly.They self-published the sheet music and it became their first big success, selling 2 million copies and providing the financial basis of their publishing firm, Campbell, Connelly & Co. [1] Campbell and Connelly published the sheet music and recorded the song under the pseudonym "Irving King".
In a perfect authentic cadence (PAC), the chords are in root position – that is, the roots of both chords are in the bass – and the tonic is in the highest voice of the final chord. This is generally considered the strongest type of cadence and often found at structurally defining moments. [ 8 ]
"Tired of Being Alone" was produced and recorded by Willie Mitchell at Hi Records and mixed by Mitchell and Terry Manning. In 1973, Green performed the song with Chicago on the TV special Chicago in the Rockies. In 2002, this recording appeared as a bonus track on the remastered version of Chicago VI.
[2] [3] Along with his ukulele playing and incorporation of other genres, such as jazz and reggae, Kamakawiwoʻole remains influential on Hawaiian music. [4] In 2010, he was named one of the 50 Great Voices by NPR, who called him "The Voice of Hawaii". [5] He achieved commercial success and mainstream popularity with his 1993 studio album ...