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An octave band is a frequency band that spans one octave (Play ⓘ).In this context an octave can be a factor of 2 [1] [full citation needed] or a factor of 10 0.301. [2] [full citation needed] [3] [full citation needed] An octave of 1200 cents in musical pitch (a logarithmic unit) corresponds to a frequency ratio of 2 / 1 ≈ 10 0.301.
For example, the frequency one octave above 40 Hz is 80 Hz. The term is derived from the Western musical scale where an octave is a doubling in frequency. [note 1] Specification in terms of octaves is therefore common in audio electronics. Along with the decade, it is a unit used to describe frequency bands or frequency ratios. [1] [2]
Pink noise spectrum. Power density falls off at 10 dB/decade (−3.01 dB/octave). The frequency spectrum of pink noise is linear in logarithmic scale; it has equal power in bands that are proportionally wide. [4] This means that pink noise would have equal power in the frequency range from 40 to 60 Hz as in the band from 4000 to 6000 Hz.
An octave is the interval between one musical pitch and another with double or half its frequency. For example, if one note has a frequency of 440 Hz, the note one octave above is at 880 Hz, and the note one octave below is at 220 Hz. The ratio of frequencies of two notes an octave apart is therefore 2:1.
The 3 dB bandwidth of an electronic filter or communication channel is the part of the system's frequency response that lies within 3 dB of the response at its peak, which, in the passband filter case, is typically at or near its center frequency, and in the low-pass filter is at or near its cutoff frequency. If the maximum gain is 0 dB, the 3 ...
Magnitude response of a low pass filter with 6 dB per octave or 20 dB per decade roll-off. Measuring the frequency response typically involves exciting the system with an input signal and measuring the resulting output signal, calculating the frequency spectra of the two signals (for example, using the fast Fourier transform for discrete signals), and comparing the spectra to isolate the ...
The equation was first proposed by French mathematician and music theorist Marin Mersenne in his 1636 work Harmonie universelle. [2] Mersenne's laws govern the construction and operation of string instruments, such as pianos and harps, which must accommodate the total tension force required to keep the strings at the proper pitch.
A pendulum with a period of 2.8 s and a frequency of 0.36 Hz. For cyclical phenomena such as oscillations, waves, or for examples of simple harmonic motion, the term frequency is defined as the number of cycles or repetitions per unit of time.