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Other noted stone vases of LM IA and II are the "Harvester Vase" View 1, View 3, View 4, from Hagia Triada, which depicts a harvest procession, "the Chieftain Cup", depicting a coming-of-age rite, the Boxer Rhyton (Hagia Triada), showing boxing scenes, the Sanctuary Rhyton, depicting a peak sanctuary to the "mistress of animals" and featuring ...
The Harvester Vase is a Late Bronze Age stone rhyton, dating to about 1550 to 1500 BC, found at Hagia Triada, an ancient "palace" of the Minoan civilization in Crete. It is now in the Heraklion Archaeological Museum , and is an important example of Minoan art from the Neopalatial Period .
Vasiliki wares are a distinctive type of Minoan pottery produced in Crete during the Minoan period, named for the finds around the town of Vasiliki, Lasithi, although it was produced at other sites too. The vases include a reddish-brown wash applied unevenly to mimic stone vessels. [1]
In the Late Minoan period, flowers and animals were still characteristic but more variety existed. However, in contrast to later Ancient Greek vase painting, paintings of human figures are extremely rare, [82] and those of land mammals not common until late periods. Shapes and ornament were often borrowed from metal tableware that has largely ...
Stirrup jars were decorated in a variety of designs. The stirrup jar offers two basic zones for decoration, the body and the shoulder. These are defined by concentric bands of color around the bottom and the top of the vase. The bands are present on nearly every stirrup jar, whether the canvases are painted or not.
The wall paintings of ancient Thera are famous frescoes discovered by Spyridon Marinatos at the excavations of Akrotiri on the Greek island of Santorini (or Thera). They are regarded as part of Minoan art , although the culture of Thera was somewhat different from that of Crete , and the political relationship between the two islands at the ...
In any case, the faithful reproduction of the process involving extensive experimental work that led to the creation of a modern production unit in Athens since 2000, [25] has shown that the ancient vases may have been subjected to multiple three-stage firings following repainting or as an attempt to correct color failures [20] The technique ...
'Minyan Ceramics' from Ancient Troy. Neues Museum, Berlin. Along the costal zone of western Anatolia, and on the islands nearby, the north-west Anatolian Grey Ware was produced, also under the Mycenaean influence. Some of the shapes of this ware, such as kraters, stirrup jars, and kylikes were inspired by the Mycenaean shapes.
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