Search results
Results from the WOW.Com Content Network
In Japanese poetry, a tanka where the upper part is composed by one poet and the lower part by another. [56] techne telestich A poem or other form of writing in which the last letter, syllable or word of each line, paragraph or other recurring feature in the text spells out a word or a message. [57] tenor tercet terza rima tetrameter tetrastich ...
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition–Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Ekphrasis: a poem that vividly describes a scene or work of art. [1] Elliptical; Epigram; Folk. Folk ballad; Gnomic: a poems laced with proverbs, aphorisms, or maxims. [1] Hymn: a poem praising God or the divine (often sung). Lament: any poem expressing deep grief, usually at a death or some other loss. Dirge
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
Authors writing their texts consider not only a word's denotation but also its connotation. For example, a person may be described as stubborn or tenacious, both of which have the same basic meaning but are opposite in terms of their emotional background (the first is an insult, while the second is a compliment).
Even the term "Nevermore," he says, is based on logic following the "unity of effect." The sounds in the vowels in particular, he writes, have more meaning than the definition of the word itself. He had previously used words like "Lenore" for the same effect. The raven itself, Poe says, is meant to become symbolic by the end of the poem.
Author and historian Paul Fussell in a book in which he never uses the word 'volta' talks generally of the poetic turn as "indispensable". [6] He states further that "the turn is the dramatic and climactic center of the poem, the place where the intellectual or emotional method of release first becomes clear and possible.
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...