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The poem's self-proclaimed fragmentary nature combined with Coleridge's warning about the poem in the preface turns "Kubla Khan" into an "anti-poem", a work that lacks structure, order, and leaves the reader confused instead of enlightened. [58] However, the poem has little relation to the other fragmentary poems Coleridge wrote. [59]
The Crewe manuscript is the only manuscript copy of Samuel Taylor Coleridge's poem Kubla Khan. [1] It is a holograph manuscript (i.e., written in Coleridge's own hand), from some time between the poem's composition in 1797 and its publication in 1816.
The book begins with William Dalrymple taking a vial of holy oil from the burning lamps of the Holy Sepulchre, which he is to transport to Shangdu, the summer seat of the King Kubla Khan. It has been mentioned that Kubla Khan wanted a hundred learned men armed with Christian knowledge to come to his Khanate and spread the knowledge of Christianity.
A Desultory poem, written on the Christmas Eve of 1794 "This is the time, when most divine to hear," 1794-6 1796 [Note 9] Monody on the Death of Chatterton. "O what a wonder seems the fear of death," 1790-1834 1794 The Destiny of Nations. A Vision "Auspicious Reverence! Hush all meaner song," 1796 1817 Ver Perpetuum. Fragment from an ...
The "person on business from Porlock" was an unwelcome visitor to Samuel Taylor Coleridge during his composition of the poem "Kubla Khan" in 1797. Coleridge claimed to have perceived the entire course of the poem in a dream (possibly an opium -induced haze), but was interrupted by this visitor who came "on business from Porlock " while in the ...
Thematically the poem is one of Coleridge's most cohesive constructs, with the narrative plot more explicit than previous works such as the fragmented Kubla Khan which tend to transcend traditional composure. Indeed, in many respects the consistency of the poem – most apparent from the structural formality and rhythmic rigidity (four ...
The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
The Graphic Canon: The World's Great Literature as Comics and Visuals (Seven Stories Press) is a three-volume anthology, edited by Russ Kick, that renders some of the world's greatest and most famous literature into graphic-novel form. [1] The first two volumes were released in 2012, and the concluding volume was published in spring 2013.
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